Everyone enjoys going to the cinema to watch movies for entertainment. However, watching movies can be a viewer's nightmare. First of all, we could hear cellphones ringing although viewers are not allowed to switch on their cellphones in the cinema. The ringing is very distracting to us especially when we are trying hard to concentrate on the movie. Secondly, some viewers are restless. They keep shifting the position of their body when they are seated, and sometimes they accidentally touch you. This is very annoying indeed when your viewing is suddenly disrupted by your inconsiderate neighbour. Finally, some viewers often love to talk about the movie even while the movie is playing. They make comments and they even predict how the movie would end. They are directly annoying other viewers who are trying to listen to the dialogues. For these reasons, going to the movies is sometimes not pleasurable.

at 22:16 Posted by Unknown 0 Comments

The Internet has been around for more than two decades. As time went on, more and more people are connected to the Internet because they have discovered that the Internet is beneficial to them. Firstly, the internet is the best way to communicate efficiently. With the Internet, people are able to send e-mails and the recipients will receive the message in just a matter of seconds. The sender is also able to attach files and pictures, and is able to send copies to as many people as they want at the click of the mouse. In addition, with the Internet, family members and friends are able to have a chat "live" in real time. Another benefit of using the Internet is, vast amounts of information is available 24-hours a day. This is because the Internet never shuts down at night. The information is useful for students, researchers and anyone interested in seeking additional knowledge. Lastly, the Internet also allows lonely singles to look for their ideal life partner via online matchmaking websites. The best thing is, some websites offer free matchmaking services, and it has worked for thousands of people who have used such services. As the result of these advantages, millions of people are now connected to the Internet.

The Cubelli Lagoon
Translated from the Spanish by Michele Aynesworth
In the southeast region of the provincial plains of Buenos Aires, you might come across the Cubelli Lagoon, familiarly known as the "Lake of the Dancing Alligator." This popular name is expressive and graphic, but — just as Doctor Ludwig Boitus established — it is inaccurate.
     In the first place, "lagoon" and "lake" are distinct hydrographic occurrences. Secondly, though the alligator — Caiman yacare (Daudin), of the Alligatoridae family — is common to America, this lagoon is not the habitat for any species of alligator.
     Its waters are extremely salty, and its fauna and flora are what you would expect for creatures that inhabit the sea. For this reason, it cannot be considered unusual that in this lagoon a population of approximately 130 marine crocodiles are to be found.
     The "marine crocodile," that is, the Crocodilus porosus (Schneider), is the largest of all living reptiles. It commonly reaches a length of some seven meters (23 feet), weighing more than a ton. Doctor Boitus affirms having seen, along the coasts of Malaysia, several of them that were over nine meters (30 feet) in length, and, in fact, has taken and brought back photographs that supposedly prove the existence of such large individuals. But, as they were photographed in marine waters, without external points of reference, it is not possible to determine precisely if those crocodiles were truly the size attributed to them by Doctor Boitus. It would of course be absurd to doubt the word of an investigator with such a brilliant career (even though his language is rather baroque), but scientific rigor requires that the facts be validated by inflexible methods that, in this case, were not put to use.
     Well then, it happens that the crocodiles of the Cubelli Lagoon possess exactly the taxonomic characteristics of those that live in the waters around India, China, and Malaysia; hence, they should by all rights be called marine crocodiles or Crocodili porosi. However, there are some differences,which Doctor Boitus has divided into morphological traits and ethological traits.
     Among the former, the most important (or, better said, the only) is size. Whereas the marine crocodile of Asia can be up to seven meters long, the one we have in the Cubelli Lagoon scarcely reaches, in the best of cases, two meters (6 feet 6 inches), measuring from the tip of the snout to the tip of the tail.
 
     Regarding its ethology, this crocodile is "fond of musically harmonized movements" according to Boitus (or, to use the simpler term preferred by those in the town of Cubelli, "dancing"). As anyone knows, as long as crocodiles are on land, they are as harmless as a flock of pigeons. They can only hunt and kill when in the water, which is their vital element. They trap their prey between their toothy jaws, then rotate rapidly, spinning until their victim is dead; their teeth have no masticatory function, being designed exclusively to imprison and swallow a victim whole.
     If we go to the shores of the Cubelli Lagoon and start to play music, having previously chosen something appropriate for dancing, right away we will see that — let's not say all — almost all the crocodiles rise out of the water and, once on land, begin to dance to the beat of the tune in question.
     For such anatomical and behavioral reasons, this saurian has received the name Crocodilus pusillus saltator (Boitus).
     Their tastes are varied and eclectic, and they do not seem to distinguish between esthetically worthy music and music of little merit. Popular tunes delight them no less than symphonic compositions for ballet.
     These crocodiles dance in an upright position, balancing only on their hind legs, reaching an average height of one meter, seventy centimeters (5 feet 8 inches). In order not to drag on the ground, their tails rise at an acute angle, roughly parallel to their spines. At the same time, their front limbs (which we could well call hands) follow the beat with various amusing gestures, while their yellow teeth form a wide smile, exuding enthusiasm and satisfaction.
     Some townspeople are not in the least attracted by the idea of dancing with crocodiles, but many others do not share this aversion. It's a fact, every Saturday when the sun goes down they put on their party clothes and gather on the shore of the lagoon.There the Cubelli Social Club has set up everything necessary to make the evening unforgettable. Likewise, people can dine in the restaurant that has arisen not far from the dance floor.
 
     The arms of the crocodile are rather short and cannot embrace the body of their partner. The gentleman or lady dancing with the male or female crocodile that has chosen them places both hands on one of their partner's shoulders. To achieve this, one's arms must be stretched to the maximum at a certain distance; as the snout of a crocodile is quite pronounced, one must take the precaution of standing as far back as possible. Though disagreeable episodes have occasionally occurred (such as nasal excision, explosion of ocular globes, or decapitation), it must not be forgotten that, as their teeth may contain the remains of cadavers, the breath of this reptile is far from being attractive.
     According to Cubellian legend, occupying the small island in the center of the lagoon are the king and queen of the crocodiles, who it seems have never left it. They say they are each more than two centuries old and, perhaps owing to their advanced age, perhaps owing simply to whim, they have never wished to participate in the dances organized by the Social Club.
     The get-togethers do not last much past midnight, for at that hour the crocodiles begin to tire, and maybe to get a little bored; in addition, they feel hungry and, as their access to the restaurant is prohibited, they want to return to the water in search of food.
     When no more crocodiles remain on terra firma, the ladies and gentlemen go back to town, rather tired and a little sad, but with the hope that, maybe at the next dance, or perhaps at a later one, the crocodiles' king, or the queen, or even both together, might abandon their island for a few hours and participate in the party. If this were to happen, each gentleman, though he takes care not to show it, harbors the illusion that the queen of the crocodiles will choose him for her dance partner; the same is true of all the ladies, who dream of dancing with the king.

"La albufera de Cubelli" was originally published in Cuadernos del Minotauro (edited by Valent'n Pérez Venzalá), Ano IV, No. 6, Madrid, 2008, pp. 117-120. The present English version was translated from a slightly modified text.

Adverbial Clause adalah Clause (anak kalimat) yang berfungsi sebagai Adverb, yakni menerangkan kata kerja.
Adverbial Clause biasanya diklasifikasikan berdasarkan "arti/maksud" dari Conjunction (kata penghubung yang mendahuluinya).
Jenis-jenis Adverbial Clause antara lain:
1. Clause of Time
Clause yang menunjukkan waktu. Biasanya dibuat dengan menggunakan conjunction (kata penghubung) seperti after, before, no sooner, while, as, dll.
Contoh:
  • Shut the door before you go out.
  • You may begin when(ever) you are ready.
  • While he was walking home, he saw an accident.
  • By the time I arrive, Alex will have left.
  • No sooner had she entered than he gave an order.
2. Clause of Place
Clause yang menunjukkan tempat. Biasanya dibuat dengan menggunakan conjunction seperti where, nowhere, anywhere, wherever, dll.
Contoh:
  • They sat down wherever they could find empty seats
  • The guard stood where he was positioned.
  • Where there is a will, there is a way.
  • Where there is poverty, there we find discontent and unrest.
  • Go where you like.
3. Clause of Contrast (or Concession)
Clause yang menunjukkan adanya pertentangan antara dua kejadian atau peristiwa yang saling berhubungan. Biasanya dibuat dengan menggunakan conjunction (kata penghubung) seperti although, though, even though, whereas, even if, in spite of, as the time, dll.
Contoh:
  • As the time you were sleeping, we were working hard.
  • Mary wanted to stop, whereas I wanted to go on.
  • Although it is late, we'll stay a little longer.
  • He is very friendly, even if he is a clever student.
4. Clause of Manner
Clause yang menunjukkan cars bagaimana suatu pekerjaan dilakukan atau peristiwa terjadi. Biasanya dibuat dengan menggunakan conjunction (kata penghubung) seperti as, how, like, in that, dll.
Contoh:
  • He did as I told him.
  • You may finish it how you like.
  • They may beat us again, like they did in 1978.
5. Clause of Purpose and Result
Clause yang menunjukkan hubungan maksud/tujuan dan hasil. Biasanya dibuat dengan menggunakan kata penghubung seperti (in order) that, so that, in the hope that, to the end that, lest, in case, dll.
Contoh:
  • They went to the movie early (in order) to find the best seats.
  • She bought a book so (that) she could learn English
  • He is saving his money so that he may take a long vacation.
  • I am working night and day in the hope that I can finish this book soon.
6. Clause of Cause and Effect
Clause yang menunjukkan hubungan sebab dan akibat. Ada beberapa pola membentuk Clause jenis ini. Perhatikan baik-baik.
Contoh:
  • Ryan ran so fast that he broke the previous speed record.
  • It was so cold yesterday that I didn't want to swim.
  • The soup tastes so good that everyone will ask for more.
  • The student had behaved so badly that he was dismissed from the class.
Contoh:
  • The Smiths had so many children that they formed their own baseball team.
  • I had so few job offers that it wasn't difficult to select one.
Contoh:
  • He has invested so much money in the project that he cannot abandon it now.
  • The grass received so little water that it turned brown in the heat.
Contoh:
  • It was such a hot day that we decided to stay indoors. ATAU It was so hot a day that we decided to stay indoors.
  • It was such an interesting book that he couldn't put it down. ATAU It was so interesting a book that he couldn't put it down.
Contoh:
  • She has such exceptional abilities that everyone is jealous of her.
  • They are such beautiful pictures that everybody will want one.
  • Perry has had such bad luck that he's decided not to gamble.
  • This is such difficult homework that I will never finish it.

Di samping itu, untuk mengungkapkan hubungan cause and effect (sebab dan akibat) dapat digunakan pola lain, yaitu:
1.       Menggunakan Preposition (kata depan) seperti because of, due to, due to the fact that, dll
Contoh:
  • Because of the cold weather, we stayed home. (=We stayed home because of the cold weather)
  • Due to the cold weather, we stayed home. (=We stayed home due to the cold weather)
  • Due to the fact that the weather was cold, we stayed home. (=We stayed home due to the fact that the weather was cold)
2.       Menggunakan kata penghubung (conjunction) seperti because, since, now, that, as, as long as, inasmuch as
Contoh:
  • Because he was sleepy, he went to bed.
  • Since he's not interested in classical music, he decided not to go to the concert.
  • As she had nothing in particular to do, she called up a friend and asked her if she wanted to take in a movie.
  • Inasmuch as the two government leaders could not reach an agreement, the possibilities for peace are still remote.
3.       Menggunakan transition words seperti therefore, consequently.
Contoh:
  • Alex failed the test because he didn't study.
  • Alex didn't study. Therefore, he failed the test.
  • Alex didn't study. Consequently, he failed the test.

Catatan:


Beberapa Adverb Clause dapat diubah menjadi Modifying Phrases dengan cara:
1)      Menghilangkan subjek dari dependent Clause dan verb (be).
Contoh:
a.       ADVERB CLAUSE      : While I was walking to class, I ran into an old friend.
b.       MODIFYING PHRASE : While walking to class, I ran into an old friend.
2)      Jika dalam Adverb Clause tidak ada be, hilangkanlah subjek dan ubahlah verb dalam Adverb Clause itu menjadi bentuk -ing.
Contoh:
a.       ADVERB CLAUSE      : Before I left for work, I ate breakfast.
b.       MODIFYING PHRASE : Before leaving for work, I ate breakfast.
Adverb Clause dapat diubah menjadi Modifying Phrase jika subjek dari adverb Clause dan subjek dari main Clause sama.
Contoh:
1. DAPAT DIRUBAH
  • While I was sitting in class, I fell asleep MENJADI While sitting in class, I fell asleep.
  • While Ann was sitting in class, she fell asleep MENJADI While sitting in class, Ann fell asleep.
  • Since Mary came to this country, she has made many friends MENJADI Since coming to this country, Mary has made many friends.
2. TIDAK DAPAT DIRUBAH
  • While the teacher was lecturing to the class, I fell asleep.
  • While we were walking home, a frog hopped across the road in front of us.

7. Clause of Condition
Clause yang menunjukkan adanya persyaratan antara dua kejadian (peristiwa) yang berhubungan. Biasanya dibuat dengan menggunakan conjunctions seperti if, even if, unless, in the even that, or in even that, in case, provided (that), providing (that), on condition that, if only, suppose (that), supposing (that), dll.
Contoh:
  • If I see him, I will invite him to the party tomorrow.
  • She would forgive her husband everything, if only he would come back to her.
  • Suppose (that) your house burns down, do you have enough insurance to cover such a loss.
  • In case a robbery occurs in the hotel, the management must be notified at once.
  • The company will agree to arbitration on condition (that) the strike is called off at once.
  • We should be able to do the job for you quickly, provided (that) you give us all the necessary information.

Sunday 8 May 2011 at 04:34 Posted by Unknown 0 Comments

This video is about how to learn real English  conversation.







Hope it helps.

Infinitives are defined as to + base form of the verb. They have several functions.

1. Used as subjects and subject complements.
    To know me is to love me. To live in Hawaii is my lifetime dream.
2. Used as objects following certain verbs*.
    I wanted to tell you how much I appreciated your gift. He hesitated to ask the embarrassing question.
3. Used as a shortened form of in order to.
    You must take this medicine (in order) to get well. I went to the bank to cash a check.
Infinitives can sometimes take objects of their own.
    We hope to find the person who did this. I was asked to make a dessert for the potluck dinner.
*These verbs are commonly followed by infinitives.
afford
beg
decide
forget
intend
mean
prepare
seem
threaten

agree
begin
demand
go
know how
need
pretend
start
try

appear
care
deserve
happen
learn
neglect
promise
stop
volunteer

arrange
choose
desire
hate
like
offer
refuse
struggle
wait

ask
claim
expect
hesitate
love
plan
regret
swear
want

attempt
consent
fail
hope
manage
prefer
remember
tend
wish

at 21:35 Posted by Unknown 0 Comments

Certain verbs can be used to express a causal relationship between the subject and object in a sentence. Some of them require a "to" while others do not. Note the following patterns:

    With "to" S + V + O + to V (O)
    I allowed Jim to clean up the mess.
    I asked Jim to clean up the mess.
    I told Jim to clean up the mess.
    I persuaded Jim to clean up the mess.*

    Without "to" S + V + O + V (O)
    I let Jim clean up the mess.
    I had Jim clean up the mess.
    I made Jim clean up the mess.
*Other verbs which use this pattern are require, command, force, order, remind, and urge. The verb help can be used with or without "to": Help Jim (to) clean up the mess.
Some verbs use the pattern, S + V that S + V (the second verb is in the base form)
    I insisted that Laura do her homework.
    I suggested that Laura do her homework.
    I recommended that Laura do her homework.

    (not "does")
    *Other verbs which can be used with this pattern are ask, require, request, and demand.
The most common error with causatives is using "to" unnecessarily. For example,
We made Kevin to finish his supper.
We made Kevin finish his supper.
They suggested Irene to take music lessons.
They suggested that Irene take music lessons.

(Incorrect)
(Correct)
(Incorrect)
(Correct)

at 21:34 Posted by Unknown 0 Comments

Tag questions are used when seeking confirmation of what one believes to be true. They restate, in question form, the previously spoken sentence. For example,

    He is an engineer. Isn't he?
    They're not from Colorado. Are they?
    Zack is really tired. Isn't he?
    She is going to Taiwan, isn't she?
    You have never been to Las Vegas. Have you?
    The Rays are playing the Jays. Aren't they?
    You went to the supermarket. Didn't you?
    Zane doesn't live in Missouri. Does he?
    Ms. Zeller has a new car. Doesn't she?

    (Positive statement, negative tag)
    (Negative statement, positive tag)
    (Positive statement, negative tag)
    (Positive statement, negative tag)
    (Negative statement, positive tag)
    (Positive statement, negative tag)
    (Positive statement, negative tag)
    (Negative statement, positive tag)
    (Positive statement, negative tag)
In tag questions, the corresponding pronoun and the first verb of the corresponding yes/no question are used. Also, notice that with positive statements, negative tag questions are used and vice versa.
See also: Grammar: Yes/No Questions
Common mistakes:
    You are the zookeeper. Yes?
    You're the zookeeper. Aren't you?
    You come from Canada. No?
    You come from Canada. Don't you?
    You're the boss. Are you?
    You're the boss. Aren't you?
    Simon is from Singapore. Isn't it?
    Simon is from Singapore. Isn't he?

    (Incorrect)
    (Correct)
    (Incorrect)
    (Correct)
    (Incorrect--in most situations)
    (Correct)
    (Incorrect)
    (Correct)
Some modals can be used in tag questions: can, will, would, could, should and must.
    Mr. James will be at the ceremony. Won't he? They couldn't do it. Could they?
Note: When the subject is ?I? and the statement is in present tense, aren't is commonly used for tag questions.
I'm the winner. Aren't I?
I'm the winner. Am I not?

(Common usage)
(Formal)

Excuse me?

Could you repeat that?
Could you say that again?
What did you say?
What was that (again)?
Did you say . . . ?
I'm sorry. I didn't catch that.

See also:

Free-English-Study: Asking for Repetition
What did you say your name was?
Did you say Andersen or Henderson?
Is "Cathy" spelled with a C or a K?
And what was your address again?
Sorry, I didn't catch the last part.
I can't hear you very well.

It's Cathy Henderson.
Henderson, with an H.
It's C as in Cadillac.
72 West Sunshine Blvd., Suite 501.
Do you want me to repeat it?
Maybe you should turn down the radio.

http://www.eslgold.net/speaking/asking_repetition.html.

at 21:59 Posted by Unknown 0 Comments

Do you want to . . .
Do you wanna . . . (informal)
Would you like to . . . (more polite)
How about (V+ing) ?
How would you like to . . .


1. Do you want to dance?
2. Would you like to go hiking this weekend?
3. How about going swimming on Friday?
4. How would you like to play golf tomorrow?

No thanks. I'm kind of tired right now
Sure, I'd love to. What time should we meet?
Ah. Can I get back to you on that?
Sounds like a great idea. Where do you want to go?c

at 21:55 Posted by Unknown 0 Comments

In the sample conversations below, R is the "Receiver" and C is the "Caller."

Conversation 1

Rrrrring.
R: Hello.
C: Hello. Is Steve there?
R: I'm sorry. He's not here right now.
C: What time will he be back?
R: Around five thirty.
C: This afternoon?
R: Yes. May I ask who's calling?
C: This is his friend, Greg.
R: Okay. I'll tell him you called.
C: Thanks.

Conversation 2

Rrrrrring.
R: Tyler residence.
C: Is this Naomi?
R: No, this is her sister, Nancy.
C: You sure sound like Naomi.
R: Oh. Can I take a message?
C: Sure. Please tell her that Andy called.
R: Okay. I'll give her the message.
C: Thanks.
R: Bye.

http://www.eslgold.net/speaking/telephone_talk.html

at 21:54 Posted by Unknown 0 Comments

Specific times

Question

Answer

Words/phrases


When do you . . .
(present tense)
I usually/always . . . in the evening
at 9:00
on Mondays
before dinner
after I eat lunch
when I get home
When did you...
(past tense)
I (past tense) last night
before class
while I was eating
When will you . . .
When are you going to
When do you plan to . . .
What time do you . . .
(past)
(future)
I will . . .
I am going to
I plan to
(same as above)
tomorrow
next Tuesday
in a few days
at 7:30
around 4:00

Extended Time

How long do you . . .
did you
will you
How long does it take you to . . .
I (usually)
I (past)
I (future)
It takes (me)
from 9:00 to 11:00
for three hours
ten minutes
six days

Ongoing Action

How long have you . . . I have . . . for five days for two hours since yesterday

Frequency

How often do you . . . I (present tense) often, usually
always, never
once in a while

at 21:52 Posted by Unknown 0 Comments

1. Tell us about your trip.
It was the most horrible five days of my life. First, we missed our flight; then we had to wait four hours for our luggage. The food on the plane was terrible, and there was no shower in the hotel.
2. What happened to your ankle?
Well, my best friend and I went skiing over the weekend. I wanted to try something exciting, so I took the most difficult trail. I hit a bump and fell. Then I slid 500 meters before I could stop.
3. What did you do last summer?
We went scuba diving in Malaysia. It was my first time, so I learned a lot. We took a boat out to a tiny island, found the perfect spot, and swam for hours among the fishes.

at 21:51 Posted by Unknown 0 Comments

1. Here. Have a cookie.
2. Would you like some pie?
3. How about a glass of wine?
4. What will you have (to drink)?
5. Would you like some more cake?
6. Can I get you some milk or something?

Thanks.
No thank you. It looks delicious though.
Thanks, but I don't drink (alcohol).
Orange juice will be fine.
Sure. It's really good. Did you bake it yourself ?
Well, a glass of water would be okay.

at 21:50 Posted by Unknown 0 Comments

Opening a discussion

To begin with,
We need to discuss . . .
determine
find out
Let's start by (V ing)
We'll start by (V ing)
The problem here is . . .
issue
question

The important thing (here) is . . .
The main thing we need to discuss is . . .
Let's look at . . .
It looks like . . .
It appears that . . .

Asking for input

What do you think?
How about you?
How do you feel about that?
Any ideas on that?

Responding

That sounds like a) good idea.
Sounds good.
The problem with that is . . .
That raises the issue of . . .
brings up

http://www.eslgold.net/speaking/discussion_techniques.html

at 21:48 Posted by Unknown 0 Comments

(First,) go down this street (for ____ blocks).
(Then,) turn left/right at the traffic light.
(After that,) go straight on _____ Street until you get to the ______.
(When you get to the _____,) turn left/right again.
(Then,) stay on_______Avenue for about _______ yards/meters.
It's on your left, next to the __________. You can't miss it!


1. Excuse me. Is there a grocery store around here?
Yeah. There's one right across the street.
2. Can you tell me how to get to Phoenix?
Sorry. I don't live around here.
3. Where's Tanner's Leather Shop?
It's on the corner of Holly and Vine. Next to the library.
4. How do you get to the bank?
Go straight down this street for two blocks. Turn left when you get to Maple Street. Stay on Maple for half a block. It's on the left hand side.

at 21:45 Posted by Unknown 0 Comments

Ring Lardner

I got another barber that comes over from Carterville and helps me out Saturdays, but the rest of the time I can get along all right alone. You can see for yourself that this ain't no New York: City and besides that, the most of the boys works all day and don't have no leisure to drop in here and get themselves prettied up.

You're a newcomer, ain't you? I thought I hadn't seen you round before. I hope you like it good enough to stay. As I say, we ain't no New York City or Chicago, but we have pretty good times. Not as good, though, since Jim Kendall got killed. When he was alive, him and Hod Meyers used to keep this town in an uproar. I bet they was more laughin' done here than any town its size in America.

Jim was comical, and Hod was pretty near a match for him. Since Jim's gone, Hod tries to hold his end up just the same as ever, but it's tough goin' when you ain't got nobody to kind of work with.

They used to be plenty fun in here Saturdays. This place is jampacked Saturdays, from four o'clock on. Jim and Hod would show up right after their supper round six o'clock. Jim would set himself down in that big chair, nearest the blue spittoon. Whoever had been settin' in that chair, why they'd get up when Jim come in and at" it to him.

You'd of thought it was a reserved seat like they have sometimes in a theaytre. Hod would generally always stand or walk up and down or some Saturdays, of course, he'd be settin' in this chair part of the time, gettin' a haircut.

Well, Jim would set there a w'ile without opening his mouth only to spit, and then finally he'd say to me, "Whitey,"--my right name, that is, my right first name, is Dick, but everybody round here calls me Whitey--Jim would say, "Whitey, your nose looks like a rosebud tonight. You must of been drinkin' some of your aw de cologne."

So I'd say, "No, Jim, but you look like you'd been drinkin' something of that kind or somethin' worse."

Jim would have to laugh at that, but then he'd speak up and say, "No, I ain't had nothin' to drink, but that ain't sayin' I wouldn't like somethin'. I wouldn't even mind if it was wood alcohol."

Then Hod Meyers would say, "Neither would your wife." That would set everybody to laughin' because Jim and his wife wasn't on very good terms. She'd of divorced him only they wasn't no chance to get alimony and she didn't have no way to take care of herself and the kids. She couldn't never understand Jim. He was kind of rough, but a good fella at heart.

Him and Hod had all kinds of sport with Milt Sheppard. I don't suppose you've seen Milt. Well, he's got an Adam's apple that looks more like a mush-melon. So I'd be shavin' Milt and when I'd start to shave down here on his neck, Hod would holler, "Hey, Whitey, wait a minute! Before you cut into it, let's make up a pool and see who can guess closest to the number of seeds."
And Jim would say, "If Milt hadn't of been so hoggish, he'd of ordered a half a cantaloupe instead of a whole one and it might not of stuck in his throat."

All the boys would roar at this and Milt himself would force a smile, though the joke was on him. Jim certainly was a card!

There's his shavin' mug, setting on the shelf, right next to Charley Vail's. "Charles M. Vail." That's the druggist. He comes in regular for his shave, three times a week. And Jim's is the cup next to Charley's. "dames H. Kendall." Jim won't need no shavin' mug no more, but I'll leave it there just the same for old time's sake. Jim certainly was a character!

Years ago, Jim used to travel for a canned goods concern over in Carterville. They sold canned goods. Jim had the whole northern half of the State and was on the road five days out of every week. He'd drop in here Saturdays and tell his experiences for that week. It was rich.

I guess he paid more attention to playin' jokes than makin' sales. Finally the concern let him out and he come right home here and told everybody he'd been fired instead of sayin' he'd resigned like most fellas would of.
It was a Saturday and the shop was full and Jim got up out of that chair and says, "Gentlemen, I got an important announcement to make. I been fired from my job."

Well, they asked him if he was in earnest and he said he was and nobody could think of nothin' to say till Jim finally broke the ice himself. He says, "I been sellin' canned goods and now I'm canned goods myself.

You see, the concern he'd been workin' for was a factory that made canned goods. Over in Carterville. And now Jim said he was canned himself. He was certainly a card!

Jim had a great trick that he used to play w'ile he was travelin'. For instance, he'd be ridin' on a train and they'd come to some little town like, well, like, well, like, we'll say, like Benton. Jim would look out the train window and read the signs of the stores.

For instance, they'd be a sign, "Henry Smith, Dry Goods." Well, Jim would write down the name and the name of the town and when he got to wherever he was goin' he'd mail back a postal card to Henry Smith at Benton and not sign no name to it, but he'd write on the card, well somethin' like "Ask your wife about that book agent that spent the afternoon last week," or "Ask your Missus who kept her from gettin' lonesome the last time you was in Carterville." And he'd sign the card, "A Friend."
Of course, he never knew what really come of none of these jokes, but he could picture what probably happened and that was enough.

Jim didn't work very steady after he lost his position with the Carterville people. What he did earn, coin' odd jobs round town why he spent pretty near all of it on gin, and his family might of starved if the stores hadn't of carried them along. Jim's wife tried her hand at dressmakin', but they ain't nobody goin' to get rich makin' dresses in this town.

As I say, she'd of divorced Jim, only she seen that she couldn't support herself and the kids and she was always hopin' that some day Jim would cut out his habits and give her more than two or three dollars a week.
They was a time when she would go to whoever he was workin' for and ask them to give her his wages, but after she done this once or twice, he beat her to it by borrowin' most of his pay in advance. He told it all round town, how he had outfoxed his Missus. He certainly was a caution!

But he wasn't satisfied with just outwittin' her. He was sore the way she had acted, tryin' to grab off his pay. And he made up his mind he'd get even. Well, he waited till Evans's Circus was advertised to come to town. Then he told his wife and two kiddies that he was goin' to take them to the circus. The day of the circus, he told them he would get the tickets and meet them outside the entrance to the tent.

Well, he didn't have no intentions of bein' there or buyin' tickets or nothin'. He got full of gin and laid round Wright's poolroom all day. His wife and the kids waited and waited and of course he didn't show up. His wife didn't have a dime with her, or nowhere else, I guess. So she finally had to tell the kids it was all off and they cried like they wasn't never goin' to stop.

Well, it seems, w'ile they was cryin', Doc Stair come along and he asked what was the matter, but Mrs. Kendall was stubborn and wouldn't tell him, but the kids told him and he insisted on takin' them and their mother in the show. Jim found this out afterwards and it was one reason why he had it in for Doc Stair.
Doc Stair come here about a year and a half ago. He's a mighty handsome young fella and his clothes always look like he has them made to order. He goes to Detroit two or three times a year and w'ile he's there must have a tailor take his measure and then make him a suit to order. They cost pretty near twice as much, but they fit a whole lot better than if you just bought them in a store.

For a w'ile everybody was wonderin' why a young doctor like Doc Stair should come to a town like this where we already got old Doc Gamble and Doc Foote that's both been here for years and all the practice in town was always divided between the two of them.

Then they was a story got round that Doc Stair's gal had thronged him over, a gal up in the Northern Peninsula somewhere, and the reason he come here was to hide himself away and forget it. He said himself that he thought they wasn't nothin' like general practice in a place like ours to fit a man to be a good all round doctor. And that's why he'd came.

Anyways, it wasn't long before he was makin' enough to live on, though they tell me that he never dunned nobody for what they owed him, and the folks here certainly has got the owin' habit, even in my business. If I had all that was comin' to me for just shaves alone, I could go to Carterville and put up at the Mercer for a week and see a different picture every night. For instance, they's old George Purdy--but I guess I shouldn't ought to be gossipin'.

Well, last year, our coroner died, died of the flu. Ken Beatty, that was his name. He was the coroner. So they had to choose another man to be coroner in his place and they picked Doc Stair. He laughed at first and said he didn't want it, but they made him take it. It ain't no job that anybody would fight for and what a man makes out of it in a year would just about buy seeds for their garden. Doc's the kind, though, that can't say no to nothin' if you keep at him long enough.

But I was goin' to tell you about a poor boy we got here in town-Paul Dickson. He fell out of a tree when he was about ten years old. Lit on his head and it done somethin' to him and he ain't never been right. No harm in him, but just silly. Jim Kendall used to call him cuckoo; that's a name Jim had for anybody that was off their head, only he called people's head their bean. That was another of his gags, callin' head bean and callin' crazy people cuckoo. Only poor Paul ain't crazy, but just silly.

You can imagine that Jim used to have all kinds of fun with Paul. He'd send him to the White Front Garage for a left-handed monkey wrench. Of course they ain't no such thing as a left-handed monkey wrench.
And once we had a kind of a fair here and they was a baseball game between the fats and the leans and before the game started Jim called Paul over and sent him way down to Schrader's hardware store to get a key for the pitcher's box.

They wasn't nothin' in the way of gags that Jim couldn't think up, when he put his mind to it.
Poor Paul was always kind of suspicious of people, maybe on account of how Jim had kept foolin' him. Paul wouldn't have much to do with anybody only his own mother and Doc Stair and a girl here in town named Julie Gregg. That is, she ain't a girl no more, but pretty near thirty or over.
When Doc first come to town, Paul seemed to feel like here was a real friend and he hung round Doc's office most of the w'ile; the only time he wasn't there was when he'd go home to eat or sleep or when he seen Julie Gregg coin' her shoppin'.

When he looked out Doc's window and seen her, he'd run downstairs and join her and tag along with her to the different stores. The poor boy was crazy about Julie and she always treated him mighty nice and made him feel like he was welcome, though of course it wasn't nothin' but pity on her side.

Doc done all he could to improve Paul's mind and he told me once that he really thought the boy was getting better, that they was times when he was as bright and sensible as anybody else.
But I was goin' to tell you about Julie Gregg. Old man Gregg was in the lumber business, but got to drinkin' and lost the most of his money and when he died, he didn't leave nothin' but the house and just enough insurance for the girl to skimp along on.

Her mother was a kind of a half invalid and didn't hardly ever leave the house. Julie wanted to sell the place and move somewhere else after the old man died, but the mother said she was born here and would die here. It was tough on Julie as the young people round this town--well, she's too good for them.

She'd been away to school and Chicago and New York and different places and they ain't no subject she can't talk on, where you take the rest of the young folks here and you mention anything to them outside of Gloria Swanson or Tommy Meighan and they think you're delirious. Did you see Gloria in Wages of Virtue? You missed somethin'!

Well, Doc Stair hadn't been here more than a week when he came in one day to get shaved and I recognized who he was, as he had been pointed out to me, so I told him about my old lady. She's been ailin' for a couple years and either Doc Gamble or Doc Foote, neither one, seemed to be helpin' her. So he said he would come out and see her, but if she was able to get out herself, it would be better to bring her to his office where he could make a completer examination.

So I took her to his office and w'ile I was waitin' for her in the reception room, in come Julie Gregg. When somebody comes in Doc Stair's office, they's a bell that rings in his inside office so he can tell they's somebody to see him.

So he left my old lady inside and come out to the front office and that's the first time him and Julie met and I guess it was what they call love at first sight. But it wasn't fifty-fifty. This young fella was the slickest lookin' fella she'd ever seen in this town and she went wild over him. To him she was just a young lady that wanted to see the doctor.

She'd came on about the same business I had. Her mother had been doctorin' for years with Doc Gamble and Doc Foote and with" out no results. So she'd heard they was a new doc in town and decided to give him a try. He promised to call and see her mother that same day.

I said a minute ago that it was love at first sight on her part. I'm not only judgin' by how she acted afterwards but how she looked at him that first day in his office. I ain't no mind reader, but it was wrote all over her face that she was gone.

Now Jim Kendall, besides bein' a jokesmith and a pretty good drinker, well Jim was quite a lady-killer. I guess he run pretty wild durin' the time he was on the road for them Carterville people, and besides that, he'd had a couple little affairs of the heart right here in town. As I say, his wife would have divorced him, only she couldn't.

But Jim was like the majority of men, and women, too, I guess. He wanted what he couldn't get. He wanted Julie Gregg and worked his head off tryin' to land her. Only he'd of said bean instead of head.
Well, Jim's habits and his jokes didn't appeal to Julie and of course he was a married man, so he didn't have no more chance than, well, than a rabbit. That's an expression of Jim's himself. When somebody didn't have no chance to get elected or somethin', Jim would always say they didn't have no more chance than a rabbit.

He didn't make no bones about how he felt. Right in here, more than once, in front of the whole crowd, he said he was stuck on Julie and anybody that could get her for him was welcome to his house and his wife and kids included. But she wouldn't have nothin' to do with him; wouldn't even speak to him on the street. He finally seen he wasn't gettin' nowheres with his usual line so he decided to try the rough stuff. He went right up to her house one evenin' and when she opened the door he forced his way in and grabbed her. But she broke loose and before he could stop her, she run in the next room and locked the door and phoned to Joe Barnes. Joe's the marshal. Jim could hear who she was phonin' to and he beat it before Joe got there.
Joe was an old friend of Julie's pa. Joe went to Jim the next day and told him what would happen if he ever done it again.

I don't know how the news of this little affair leaked out. Chances is that Joe Barnes told his wife and she told somebody else's wife and they told their husband. Anyways, it did leak out and Hod Meyers had the nerve to kid Jim about it, right here in this shop. Jim didn't deny nothin' and kind of laughed it off and said for us all to wait; that lots of people had tried to make a monkey out of him, but he always got even.

Meanw'ile everybody in town was wise to Julie's bein' wild mad over the Doc. I don't suppose she had any idea how her face changed when him and her was together; of course she couldn't of, or she'd of kept away from him. And she didn't know that we was all noticin' how many times she made excuses to go up to his office or pass it on the other side of the street and look up in his window to see if he was there. I felt sorry for her and so did most other people.

Hod Meyers kept rubbin' it into Jim about how the Doc had cut him out. Jim didn't pay no attention to the kiddie' and you could see he was plannin' one of his jokes.
One trick Jim had was the knack of changin' his voice. He could make you think he was a girl talkie' and he could mimic any man's voice. To show you how good he was along this line, I'll tell you the joke he played on me once.

You know, in most towns of any size, when a man is dead and needs a shave, why the barber that shaves him soaks him five dollars for the job; that is, he don't soak him, but whoever ordered the shave. I just charge three dollars because personally I don't mind much shavin' a dead person. They lay a whole lot stiller than live customers. The only thing is that you don't feel like talkie' to them and you get kind of lonesome.

Well, about the coldest day we ever had here, two years ago last winter, the phone rung at the house w'ile I was home to dinner and I answered the phone and it was a woman's voice and she said she was Mrs. John Scott and her husband was dead and would I come out and shave him.

Old John had always been a good customer of mine. But they live seven miles out in the country, on the Streeter road. Still I didn't see how I could say no.
So I said I would be there, but would have to come in a jitney and it might cost three or four dollars besides the price of the shave. So she, or the voice, it said that was all right, so I got Frank Abbott to drive me out to the place and when I got there, who should open the door but old John himself! He wasn't no more dead than, well, than a rabbit.

It didn't take no private detective to figure out who had played me this little joke. Nobody could of thought it up but Jim Kendall. He certainly was a card!
I tell you this incident just to show you how he could disguise his voice and make you believe it was somebody else talkie'. I'd of swore it was Mrs. Scott had called me. Anyways, some woman.
Well, Jim waited till he had Doc Stair's voice down pat; then he went after revenge.

He called Julie up on a night when he knew Doc was over in Carterville. She never questioned but what it was Doc's voice. Jim said he must see her that night; he couldn't wait no longer to tell her somethin'. She was all excited and told him to come to the house. But he said he was expectin' an important long distance call and wouldn't she please forget her manners for once and come to his office. He said they couldn't nothin' hurt her and nobody would see her and he just must talk to her a little w'ile. Well, poor Julie fell for it.
Doc always keeps a night light in his office, so it looked to Julie like they was somebody there.
Meanw'ile Jim Kendall had went to Wright's poolroom, where they was a whole gang amusin' themselves. The most of them had drank plenty of gin, and they was a rough bunch even when sober. They was always strong for Jim's jokes and when he told them to come with him and see some fun they give up their card games and pool games and followed along.

Doc's office is on the second floor. Right outside his door they's a flight of stairs leadin' to the floor above. Jim and his gang hid in the dark behind these stairs.

Well, tulle come up to Doc's door and rung the bell and they was nothin' coin'. She rung it again and she rung it seven or eight times. Then she tried the door and found it locked. Then Jim made some kind of a noise and she heard it and waited a minute, and then she says, "Is that you, Ralph?" Ralph is Doc's first name.
They was no answer and it must of came to her all of a sudden that she'd been bunked. She pretty near fell downstairs and the whole gang after her. They chased her all the way home, hollerin', "Is that you, Ralph?" and "Oh, Ralphie, dear, is that you?" Jim says he couldn't holler it himself, as he was laughin' too hard.
Poor Julie! She didn't show up here on Main Street for a long, long time afterward.

And of course Jim and his gang told everybody in town, everybody but Doc Stair. They was scared to tell him, and he might of never knowed only for Paul Dickson. The poor cuckoo, as Jim called him, he was here in the shop one night when Jim was still gloatin' yet over what he'd done to Julie. And Paul took in as much of it as he could understand and he run to Doc with the story.

It's a cinch Doc went up in the air and swore he'd make Jim suffer. But it was a kind of a delicate thing, because if it got out that he had beat Jim up, Julie was bound to hear of it and then she'd know that Doc knew and of course knowin' that he knew would make it worse for her than ever. He was goin' to do somethin', but it took a lot of figurin'.

Well, it was a couple days later when Jim was here in the shop again, and so was the cuckoo. Jim was goin' duck-shootin' the next day and had come in lookin' for Hod Meyers to go with him. I happened to know that Hod had went over to Carterville and wouldn't be home till the end of the week. So Jim said he hated to go alone and he guessed he would call it off. Then poor Paul spoke up and said if Jim would take him he would go along. Jim thought a w'ile and then he said, well, he guessed a half-wit was better than nothin'.
I suppose he was plottin' to get Paul out in the boat and play some joke on him, like pushin' him in the water. Anyways, he said Paul could go. He asked him had he ever shot a duck and Paul said no, he'd never even had a gun in his hands. So Jim said he could set in the boat and watch him and if he behaved himself, he might lend him his gun for a couple of shots. They made a date to meet in the mornin' and that's the last I seen of Jim alive.

Next mornin', I hadn't been open more than ten minutes when Doc Stair come in. He looked kind of nervous. He asked me had I seen Paul Dickson. I said no, but I knew where he was, out duckshootin' with Jim Kendall. So Doc says that's what he had heard, and he couldn't understand it because Paul had told him he wouldn't never have no more to do with Jim as long as he lived.
He said Paul had told him about the joke Jim had played on Julie. He said Paul had asked him what he thought of the joke and the Doc told him that anybody that would do a thing like that ought not to be let live. I said it had been a kind of a raw thing, but Jim just couldn't resist no kind of a joke, no matter how raw. I said I thought he was all right at heart, but just bubblin' over with mischief. Doc turned and walked out.
At noon he got a phone call from old John Scott. The lake where Jim and Paul had went shootin' is on John's place. Paul had came runnin' up to the house a few minutes before and said they'd been an accident. Jim had shot a few ducks and then give the gun to Paul and told him to try his luck. Paul hadn't never handled a gun and he was nervous. He was shakin' so hard that he couldn't control the gun. He let fire and Jim sunk back in the boat, dead.

Doc Stair, bein' the coroner, jumped in Frank Abbott's flivver and rushed out to Scott's farm. Paul and old John was down on the shore of the lake. Paul had rowed the boat to shore, but they'd left the body in it, waiting for Doc to come.

Doc examined the body and said they might as well fetch it back to town. They was no use leavin' it there or callin' a jury, as it was a plain case of accidental shootin'.
Personally I wouldn't never leave a person shoot a gun in the same boat I was in unless I was sure they knew somethin' about guns. Jim was a sucker to leave a new beginner have his gun, let alone a half-wit. It probably served Jim right, what he got. But still we miss him round here. He certainly was a card! Comb it wet or dry?

at 21:41 Posted by Unknown 0 Comments

Edgar Allan Poe

For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not - and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified - have tortured - have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but Horror - to many they will seem less terrible than barroques. Hereafter, perhaps, some intellect may be found which will reduce my phantasm to the common-place - some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects.

From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my growth, and in my manhood, I derived from it one of my principal sources of pleasure. To those who have cherished an affection for a faithful and sagacious dog, I need hardly be at the trouble of explaining the nature or the intensity of the gratification thus derivable. There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.

I married early, and was happy to find in my wife a disposition not uncongenial with my own. Observing my partiality for domestic pets, she lost no opportunity of procuring those of the most agreeable kind. We had birds, gold-fish, a fine dog, rabbits, a small monkey, and a cat.

This latter was a remarkably large and beautiful animal, entirely black, and sagacious to an astonishing degree. In speaking of his intelligence, my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion, which regarded all black cats as witches in disguise. Not that she was ever serious upon this point - and I mention the matter at all for no better reason than that it happens, just now, to be remembered.

Pluto - this was the cat's name - was my favorite pet and playmate. I alone fed him, and he attended me wherever I went about the house. It was even with difficulty that I could prevent him from following me through the streets.

Our friendship lasted, in this manner, for several years, during which my general temperament and character - through the instrumentality of the Fiend Intemperance - had (I blush to confess it) experienced a radical alteration for the worse. I grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence. My pets, of course, were made to feel the change in my disposition. I not only neglected, but ill-used them. For Pluto, however, I still retained sufficient regard to restrain me from maltreating him, as I made no scruple of maltreating the rabbits, the monkey, or even the dog, when by accident, or through affection, they came in my way. But my disease grew upon me - for what disease is like Alcohol! - and at length even Pluto, who was now becoming old, and consequently somewhat peevish - even Pluto began to experience the effects of my ill temper.

One night, returning home, much intoxicated, from one of my haunts about town, I fancied that the cat avoided my presence. I seized him; when, in his fright at my violence, he inflicted a slight wound upon my hand with his teeth. The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body and a more than fiendish malevolence, gin-nurtured, thrilled every fibre of my frame. I took from my waistcoat-pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket! I blush, I burn, I shudder, while I pen the damnable atrocity.

When reason returned with the morning - when I had slept off the fumes of the night's debauch - I experienced a sentiment half of horror, half of remorse, for the crime of which I had been guilty; but it was, at best, a feeble and equivocal feeling, and the soul remained untouched. I again plunged into excess, and soon drowned in wine all memory of the deed.

In the meantime the cat slowly recovered. The socket of the lost eye presented, it is true, a frightful appearance, but he no longer appeared to suffer any pain. He went about the house as usual, but, as might be expected, fled in extreme terror at my approach. I had so much of my old heart left, as to be at first grieved by this evident dislike on the part of a creature which had once so loved me. But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of PERVERSENESS. Of this spirit philosophy takes no account. Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart - one of the indivisible primary faculties, or sentiments, which give direction to the character of Man. Who has not, a hundred times, found himself committing a vile or a silly action, for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgment, to violate that which is Law, merely because we understand it to be such? This spirit of perverseness, I say, came to my final overthrow. It was this unfathomable longing of the soul to vex itself - to offer violence to its own nature - to do wrong for the wrong's sake only - that urged me to continue and finally to consummate the injury I had inflicted upon the unoffending brute. One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree; - hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart; - hung it because I knew that it had loved me, and because I felt it had given me no reason of offence; - hung it because I knew that in so doing I was committing a sin - a deadly sin that would so jeopardize my immortal soul as to place it - if such a thing wore possible - even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.

On the night of the day on which this cruel deed was done, I was aroused from sleep by the cry of fire. The curtains of my bed were in flames. The whole house was blazing. It was with great difficulty that my wife, a servant, and myself, made our escape from the conflagration. The destruction was complete. My entire worldly wealth was swallowed up, and I resigned myself thenceforward to despair.

I am above the weakness of seeking to establish a sequence of cause and effect, between the disaster and the atrocity. But I am detailing a chain of facts - and wish not to leave even a possible link imperfect. On the day succeeding the fire, I visited the ruins. The walls, with one exception, had fallen in. This exception was found in a compartment wall, not very thick, which stood about the middle of the house, and against which had rested the head of my bed. The plastering had here, in great measure, resisted the action of the fire - a fact which I attributed to its having been recently spread. About this wall a dense crowd were collected, and many persons seemed to be examining a particular portion of it with very minute and eager attention. The words "strange!" "singular!" and other similar expressions, excited my curiosity. I approached and saw, as if graven in bas relief upon the white surface, the figure of a gigantic cat. The impression was given with an accuracy truly marvellous. There was a rope about the animal's neck.

When I first beheld this apparition - for I could scarcely regard it as less - my wonder and my terror were extreme. But at length reflection came to my aid. The cat, I remembered, had been hung in a garden adjacent to the house. Upon the alarm of fire, this garden had been immediately filled by the crowd - by some one of whom the animal must have been cut from the tree and thrown, through an open window, into my chamber. This had probably been done with the view of arousing me from sleep. The falling of other walls had compressed the victim of my cruelty into the substance of the freshly-spread plaster; the lime of which, with the flames, and the ammonia from the carcass, had then accomplished the portraiture as I saw it.

Although I thus readily accounted to my reason, if not altogether to my conscience, for the startling fact just detailed, it did not the less fail to make a deep impression upon my fancy. For months I could not rid myself of the phantasm of the cat; and, during this period, there came back into my spirit a half-sentiment that seemed, but was not, remorse. I went so far as to regret the loss of the animal, and to look about me, among the vile haunts which I now habitually frequented, for another pet of the same species, and of somewhat similar appearance, with which to supply its place.

One night as I sat, half stupified, in a den of more than infamy, my attention was suddenly drawn to some black object, reposing upon the head of one of the immense hogsheads of Gin, or of Rum, which constituted the chief furniture of the apartment. I had been looking steadily at the top of this hogshead for some minutes, and what now caused me surprise was the fact that I had not sooner perceived the object thereupon. I approached it, and touched it with my hand. It was a black cat - a very large one - fully as large as Pluto, and closely resembling him in every respect but one. Pluto had not a white hair upon any portion of his body; but this cat had a large, although indefinite splotch of white, covering nearly the whole region of the breast. Upon my touching him, he immediately arose, purred loudly, rubbed against my hand, and appeared delighted with my notice. This, then, was the very creature of which I was in search. I at once offered to purchase it of the landlord; but this person made no claim to it - knew nothing of it - had never seen it before.

I continued my caresses, and, when I prepared to go home, the animal evinced a disposition to accompany me. I permitted it to do so; occasionally stooping and patting it as I proceeded. When it reached the house it domesticated itself at once, and became immediately a great favorite with my wife.

For my own part, I soon found a dislike to it arising within me. This was just the reverse of what I had anticipated; but - I know not how or why it was - its evident fondness for myself rather disgusted and annoyed. By slow degrees, these feelings of disgust and annoyance rose into the bitterness of hatred. I avoided the creature; a certain sense of shame, and the remembrance of my former deed of cruelty, preventing me from physically abusing it. I did not, for some weeks, strike, or otherwise violently ill use it; but gradually - very gradually - I came to look upon it with unutterable loathing, and to flee silently from its odious presence, as from the breath of a pestilence.

What added, no doubt, to my hatred of the beast, was the discovery, on the morning after I brought it home, that, like Pluto, it also had been deprived of one of its eyes. This circumstance, however, only endeared it to my wife, who, as I have already said, possessed, in a high degree, that humanity of feeling which had once been my distinguishing trait, and the source of many of my simplest and purest pleasures.

With my aversion to this cat, however, its partiality for myself seemed to increase. It followed my footsteps with a pertinacity which it would be difficult to make the reader comprehend. Whenever I sat, it would crouch beneath my chair, or spring upon my knees, covering me with its loathsome caresses. If I arose to walk it would get between my feet and thus nearly throw me down, or, fastening its long and sharp claws in my dress, clamber, in this manner, to my breast. At such times, although I longed to destroy it with a blow, I was yet withheld from so doing, partly by a memory of my former crime, but chiefly - let me confess it at once - by absolute dread of the beast.

This dread was not exactly a dread of physical evil - and yet I should be at a loss how otherwise to define it. I am almost ashamed to own - yes, even in this felon's cell, I am almost ashamed to own - that the terror and horror with which the animal inspired me, had been heightened by one of the merest chimaeras it would be possible to conceive. My wife had called my attention, more than once, to the character of the mark of white hair, of which I have spoken, and which constituted the sole visible difference between the strange beast and the one I had destroyed. The reader will remember that this mark, although large, had been originally very indefinite; but, by slow degrees - degrees nearly imperceptible, and which for a long time my Reason struggled to reject as fanciful - it had, at length, assumed a rigorous distinctness of outline. It was now the representation of an object that I shudder to name - and for this, above all, I loathed, and dreaded, and would have rid myself of the monster had I dared - it was now, I say, the image of a hideous - of a ghastly thing - of the GALLOWS! - oh, mournful and terrible engine of Horror and of Crime - of Agony and of Death!

And now was I indeed wretched beyond the wretchedness of mere Humanity. And a brute beast - whose fellow I had contemptuously destroyed - a brute beast to work out for me - for me a man, fashioned in the image of the High God - so much of insufferable wo! Alas! neither by day nor by night knew I the blessing of Rest any more! During the former the creature left me no moment alone; and, in the latter, I started, hourly, from dreams of unutterable fear, to find the hot breath of the thing upon my face, and its vast weight - an incarnate Night-Mare that I had no power to shake off - incumbent eternally upon my heart!

Beneath the pressure of torments such as these, the feeble remnant of the good within me succumbed. Evil thoughts became my sole intimates - the darkest and most evil of thoughts. The moodiness of my usual temper increased to hatred of all things and of all mankind; while, from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas! was the most usual and the most patient of sufferers.

One day she accompanied me, upon some household errand, into the cellar of the old building which our poverty compelled us to inhabit. The cat followed me down the steep stairs, and, nearly throwing me headlong, exasperated me to madness. Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demoniacal, I withdrew my arm from her grasp and buried the axe in her brain. She fell dead upon the spot, without a groan.

This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body. I knew that I could not remove it from the house, either by day or by night, without the risk of being observed by the neighbors. Many projects entered my mind. At one period I thought of cutting the corpse into minute fragments, and destroying them by fire. At another, I resolved to dig a grave for it in the floor of the cellar. Again, I deliberated about casting it in the well in the yard - about packing it in a box, as if merchandize, with the usual arrangements, and so getting a porter to take it from the house. Finally I hit upon what I considered a far better expedient than either of these. I determined to wall it up in the cellar - as the monks of the middle ages are recorded to have walled up their victims.

For a purpose such as this the cellar was well adapted. Its walls were loosely constructed, and had lately been plastered throughout with a rough plaster, which the dampness of the atmosphere had prevented from hardening. Moreover, in one of the walls was a projection, caused by a false chimney, or fireplace, that had been filled up, and made to resemble the red of the cellar. I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect any thing suspicious. And in this calculation I was not deceived. By means of a crow-bar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I re-laid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster which could not be distinguished from the old, and with this I very carefully went over the new brickwork. When I had finished, I felt satisfied that all was right. The wall did not present the slightest appearance of having been disturbed. The rubbish on the floor was picked up with the minutest care. I looked around triumphantly, and said to myself - "Here at least, then, my labor has not been in vain."

My next step was to look for the beast which had been the cause of so much wretchedness; for I had, at length, firmly resolved to put it to death. Had I been able to meet with it, at the moment, there could have been no doubt of its fate; but it appeared that the crafty animal had been alarmed at the violence of my previous anger, and forebore to present itself in my present mood. It is impossible to describe, or to imagine, the deep, the blissful sense of relief which the absence of the detested creature occasioned in my bosom. It did not make its appearance during the night - and thus for one night at least, since its introduction into the house, I soundly and tranquilly slept; aye, slept even with the burden of murder upon my soul!

The second and the third day passed, and still my tormentor came not. Once again I breathed as a freeman. The monster, in terror, had fled the premises forever! I should behold it no more! My happiness was supreme! The guilt of my dark deed disturbed me but little. Some few inquiries had been made, but these had been readily answered. Even a search had been instituted - but of course nothing was to be discovered. I looked upon my future felicity as secured.

Upon the fourth day of the assassination, a party of the police came, very unexpectedly, into the house, and proceeded again to make rigorous investigation of the premises. Secure, however, in the inscrutability of my place of concealment, I felt no embarrassment whatever. The officers bade me accompany them in their search. They left no nook or corner unexplored. At length, for the third or fourth time, they descended into the cellar. I quivered not in a muscle. My heart beat calmly as that of one who slumbers in innocence. I walked the cellar from end to end. I folded my arms upon my bosom, and roamed easily to and fro. The police were thoroughly satisfied and prepared to depart. The glee at my heart was too strong to be restrained. I burned to say if but one word, by way of triumph, and to render doubly sure their assurance of my guiltlessness.
"Gentlemen," I said at last, as the party ascended the steps, "I delight to have allayed your suspicions. I wish you all health, and a little more courtesy. By the bye, gentlemen, this - this is a very well constructed house." [In the rabid desire to say something easily, I scarcely knew what I uttered at all.] - "I may say an excellently well constructed house. These walls are you going, gentlemen? - these walls are solidly put together;" and here, through the mere phrenzy of bravado, I rapped heavily, with a cane which I held in my hand, upon that very portion of the brick-work behind which stood the corpse of the wife of my bosom.

But may God shield and deliver me from the fangs of the Arch-Fiend! No sooner had the reverberation of my blows sunk into silence, than I was answered by a voice from within the tomb! - by a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman - a howl - a wailing shriek, half of horror and half of triumph, such as might have arisen only out of hell, conjointly from the throats of the dammed in their agony and of the demons that exult in the damnation.

Of my own thoughts it is folly to speak. Swooning, I staggered to the opposite wall. For one instant the party upon the stairs remained motionless, through extremity of terror and of awe. In the next, a dozen stout arms were toiling at the wall. It fell bodily. The corpse, already greatly decayed and clotted with gore, stood erect before the eyes of the spectators. Upon its head, with red extended mouth and solitary eye of fire, sat the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman. I had walled the monster up within the tomb!